Born into a musical family as the daughter of Charles Burney, Frances 'Fanny' Burney (1752-1840) opted for a life of letters. Her epistolary novel Evelina generated both sensation and sales upon its appearance early in 1778, and when her identity as the author was soon revealed, it opened the door to intellectual circles frequented by the likes of Samuel Johnson and fellow diarist Hester Thrale. Appearing under her married name of Madame d'Arblay, her witty and candid journals and correspondence, from her breakthrough until her final years, were edited by her niece Charlotte Barrett (1786-1870) and first published in seven volumes between 1842 and 1846. Reissued here is the new edition of 1854, including biographical notes. Detailing the success of her literary debut and the friendships she forged as a result, Volume 1 captures the excitement of the period from 1778 to 1780.

Born into a musical family as the daughter of Charles Burney, Frances 'Fanny' Burney (1752-1840) opted for a life of letters. Her epistolary novel Evelina generated both sensation and sales upon its appearance early in 1778, and when her identity as the author was soon revealed, it opened the door to intellectual circles frequented by the likes of Samuel Johnson and fellow diarist Hester Thrale. Appearing under her married name of Madame d'Arblay, her witty and candid journals and correspondence, from her breakthrough until her final years, were edited by her niece Charlotte Barrett (1786-1870) and first published in seven volumes between 1842 and 1846. Reissued here is the new edition of 1854, including biographical notes. Volume 2 covers the period from the beginning of 1781 to July 1786, during which Cecilia (1782), her second novel, was published.

Born into a musical family as the daughter of Charles Burney, Frances 'Fanny' Burney (1752-1840) opted for a life of letters. Her epistolary novel Evelina generated both sensation and sales upon its appearance early in 1778, and when her identity as the author was soon revealed, it opened the door to intellectual circles frequented by the likes of Samuel Johnson and fellow diarist Hester Thrale. Appearing under her married name of Madame d'Arblay, her witty and candid journals and correspondence, from her breakthrough until her final years, were edited by her niece Charlotte Barrett (1786-1870) and first published in seven volumes between 1842 and 1846. Reissued here is the new edition of 1854, including biographical notes. Volume 3 covers the period from July 1786 to December 1787, during which she reluctantly took up an onerous court appointment to Queen Charlotte.

Born into a musical family as the daughter of Charles Burney, Frances 'Fanny' Burney (1752-1840) opted for a life of letters. Her epistolary novel Evelina generated both sensation and sales upon its appearance early in 1778, and when her identity as the author was soon revealed, it opened the door to intellectual circles frequented by the likes of Samuel Johnson and fellow diarist Hester Thrale. Appearing under her married name of Madame d'Arblay, her witty and candid journals and correspondence, from her breakthrough until her final years, were edited by her niece Charlotte Barrett (1786-1870) and first published in seven volumes between 1842 and 1846. Reissued here is the new edition of 1854, including biographical notes. Volume 4 covers the period from the beginning of 1788 through to the end of February 1789. It features the notable episode in which an unbalanced George III chased Fanny through Kew Gardens.

Born into a musical family as the daughter of Charles Burney, Frances 'Fanny' Burney (1752-1840) opted for a life of letters. Her epistolary novel Evelina generated both sensation and sales upon its appearance early in 1778, and when her identity as the author was soon revealed, it opened the door to intellectual circles frequented by the likes of Samuel Johnson and fellow diarist Hester Thrale. Appearing under her married name of Madame d'Arblay, her witty and candid journals and correspondence, from her breakthrough until her final years, were edited by her niece Charlotte Barrett (1786-1870) and first published in seven volumes between 1842 and 1846. Reissued here is the new edition of 1854, including biographical notes. Volume 5 covers the period from March 1789 through to September 1793, during which she married an emigre officer as the French Revolution shook Europe.

Born into a musical family as the daughter of Charles Burney, Frances 'Fanny' Burney (1752-1840) opted for a life of letters. Her epistolary novel Evelina generated both sensation and sales upon its appearance early in 1778, and when her identity as the author was soon revealed, it opened the door to intellectual circles frequented by the likes of Samuel Johnson and fellow diarist Hester Thrale. Appearing under her married name of Madame d'Arblay, her witty and candid journals and correspondence, from her breakthrough until her final years, were edited by her niece Charlotte Barrett (1786-1870) and first published in seven volumes between 1842 and 1846. Reissued here is the new edition of 1854, including biographical notes. Volume 6 covers the period from September 1793 through to 1812, during which she published Camilla (1796) and, in an episode omitted here, endured a mastectomy without anaesthetic.

Born into a musical family as the daughter of Charles Burney, Frances 'Fanny' Burney (1752-1840) opted for a life of letters. Her epistolary novel Evelina generated both sensation and sales upon its appearance early in 1778, and when her identity as the author was soon revealed, it opened the door to intellectual circles frequented by the likes of Samuel Johnson and fellow diarist Hester Thrale. Appearing under her married name of Madame d'Arblay, her witty and candid journals and correspondence, from her breakthrough until her final years, were edited by her niece Charlotte Barrett (1786-1870) and first published in seven volumes between 1842 and 1846. Reissued here is the new edition of 1854, including biographical notes. Volume 7 covers the period from 1813 until her death, a time of bereavement in which she lost her father, brother, husband and son. Also included is a general index to all the volumes.

Charles Burney (1726-1814), the music historian, is best remembered for his General History of Music and the accounts of his musical tours in Europe. He was a friend of Samuel Johnson and David Garrick, corresponded with Diderot and Haydn and was made Fellow of the Royal Society in 1773. Although he was a music teacher by profession, it was his writings on music which brought him widespread recognition. Following publication of the General History, he began his memoirs but did not complete them. It is likely that he intended his daughter, the novelist Fanny Burney, to publish the memoirs after his death using his manuscript and other papers. Instead she created her own embellished version, adding stylised accounts of events emphasising the literary and social, rather than the musical aspects. Volume 1 takes us to the mid-1770s with the publication of the accounts of the two musical tours.

Charles Burney (1726-1814), the music historian, is best remembered for his General History of Music and the accounts of his musical tours in Europe. He was a friend of Samuel Johnson and David Garrick, corresponded with Diderot and Haydn and was made Fellow of the Royal Society in 1773. Although he was a music teacher by profession, it was his writings on music which brought him widespread recognition. Following publication of the General History, he began his memoirs but did not complete them. It is likely that he intended his daughter, the novelist Fanny Burney, to publish the memoirs after his death using his manuscript and other papers. Instead she created her own embellished version, adding stylised accounts of events emphasising the literary and social, rather than the musical aspects. Volume 2 is concerned with events from the mid-1770s to mid-1780s, including the Handel commemoration concerts in 1784.

Charles Burney (1726-1814), the music historian, is best remembered for his General History of Music and the accounts of his musical tours in Europe. He was a friend of Samuel Johnson and David Garrick, corresponded with Diderot and Haydn and was made Fellow of the Royal Society in 1773. Although he was a music teacher by profession, it was his writings on music which brought him widespread recognition. Following publication of the General History, he began his memoirs but did not complete them. It is likely that he intended his daughter, the novelist Fanny Burney, to publish the memoirs after his death using his manuscript and other papers. Instead she created her own embellished version, adding stylised accounts of events emphasising the literary and social, rather than the musical aspects. Volume 3 details the years from the death of Samuel Johnson in 1784 to Burney's own death in 1814.

First published in 1796, Camilla deals with the matrimonial concerns of a group of young people-Camilla Tyrold and her sisters, the daughters of a country parson, and their cousin Indiana Lynmere-and, in particular, with the love affair between Camilla herself and her eligible suitor, Edgar Mandlebert. The path of true love, however, is strewn with intrigue, contretemps and misunderstanding. An enormously popular eighteenth-century novel, Camilla is touched at many points by the advancing spirit of romanticism. As in Evelina, Fanny Burney weaves into her novel strands of light and dark, comic episodes and gothic shudders, and creates a pattern of social and moral dilemmas which emphasize and illuminate the gap between generations.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Cecilia is an heiress, but she can only keep her fortune if her husband will consent to take her surname. Fanny Burney's unusual love story and deft social satire was much admired on its first publication in 1782 for its subtle interweaving of comedy, humanity, and social analysis. Controversial in its time, this eighteenth-century novel seems entirely fresh in relation to late twentieth-century concerns. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.